I’ve spent a good portion of the day just looking through the photos I took yesterday in Florence. Most are of the inner courtyard and the exterior of the Palazzo Strozzi, which are as magnificent as I remembered, if not more so. I was a very happy art historian.
While we were there, we took in the new exhibit, The Cinquecento in Florence: “Modern Manner” and Counter-Reformation. I enjoyed getting to see a number of works in person and relatively up close that I’d only seen in my art books. Other pieces were new to me, but still quite familiar, due to the subject matter. As I joked with G yesterday, I can tell an Annunciation just from a quick passing glace out the corner of my eye. I’m not bragging; it’s simply if you focus on Italian Renaissance art as I did for my degree, you tend to recognize the symbolism and general themes.
I’m short on time and still need to do a bit of tweaking to my photos, not to mention the need to go through all 200+ and figure out which ones to use in various posts. The last time I was in Florence I was using a film camera rather than a digital one. In retrospect, it didn’t really stop me from taking a million photos then, either. I just kept buying more film rolls!
To give you a hint of what I saw at the exhibit, here’s the first thing you see upon entering: River God, by Michelangelo and Lamentation over the Dead Christ by Andrea del Sarto. The Michelangelo work isn’t marble, it’s clay, sand, fibers and other ingredients built up over a wire-frame interior. You still see the beautiful form of his figures, down to the folds of the flesh at the stomach as the river god rises and twists. Absolutely stunning. The whole exhibit is worth a visit if you have even a remote interest in art. The colors, the forms, and even some of the sense of humor (intentional or not) in certain works are a joy to see.